"The story of Trumbo is a reminder that efforts to control screen content had existed in the past and there's always the chance..."

"... that in some case the political winds will shift and some of those ideas will become popular again in the future," says Jeff Smith, a University of Wisconsin film professor, expressing great pride in The Wisconsin Center for Film and Theater Research, a huge archive which includes — among much else (as you'll see in this short video) — materials relating to Dalton Trumpo Trumbo and Hollywood's era of "blacklisting":



As you may have noticed, there's a new movie, "Trumbo," starring Bryan Cranston.

ADDED: The commenters enjoyed my "Trumpo" for "Trumbo" typo, above, which I've preserved with a strike-through. Meaning was striven for: "Maybe AA typo'd 'Trumpo' because she sees Donald Trump as a maligned avatar of truth that the establishment is trying to suppress."

Some Yale students are hopping mad at 2 faculty members who didn't see the exquisite importance of repressing Halloween costumery.

The Foundation for Individual Rights in Education explains the multilayered outrage.

This email from Associate Master of Silliman College Erika Christakis is the main source of irritation. She had the nerve to address Yale students as intellectuals, drawing on her expertise — she teaches a class on "The Concept of the Problem Child" — and saying things like:

At the first link there's video of Yale students yelling at Erika Christakis's husband Nicholas:

“As your position as master, it is your job to create a place of comfort and home for the students that live in Silliman,” one student says. “You have not done that. By sending out that email, that goes against your position as master. Do you understand that?”

When Christakis disagreed, the student proceeded to yell at him. “Who the fuck hired you?” she asked, arguing that Christakis should “step down” because being master is “not about creating an intellectual space,” but rather “creating a home.”

To be fair, I'd like to know more about what representations Yale made to the students it lured into matriculating. Was a "safe space" promised? Part of the "marketplace of ideas" that the Christakises champion is the marketplace of colleges where students get their choice. What did the Yale packaging say? I can't really judge the anger and the urgency of these students without knowing what other offers they had and what they were led to think they were buying when they picked Yale. A vibrant "intellectual space" sounds exciting to me, but is that what they were told they'd get if they came to Yale? Maybe some other schools offered a challenging intellectual environment and they passed on it, preferring a caring, nurturing setting. Were they deceived?

There's a lot that could be said here, but I'll just say one more thing. Halloween is childish fun. If you're grimly serious about it, you've aged out. Maybe some of your classmates are still playing around, vacationing from their daily worries, indulging in this annual childishness. If you're too adult to join them, then do the adult thing and stay home and read. Complaining to the authorities is another form of indulgence in childishness — not childish fun but childish whining and tattling.

"What they are saying is that because I don’t think surgery will turn a man into a woman I should not be allowed to speak anywhere."

Said Germaine Greer.

Addressing claims that she had been hurtful towards transgender women, Greer added: “People are being hurtful to me all the time. Try being an old woman. For goodness sake, people get hurt all the time. I’m not about to walk on eggshells.”...

Asked about the petition [to stop her from speaking at Cardiff University, she said]: “I don’t really know what I think of it. It strikes me as a bit of a put-up job really because I am not even going to talk about the issue that they are on about."

The link goes to The Guardian, where the article is illustrated by a photo of Greer, in fully wrinkled old-lady form, next to a photo of Caitlyn Jenner that's been photoshopped beyond recognition to the point of looking like a 30-year-old. 

More here: "I don’t expect people to agree with me. On the other hand, I don’t expect them to throw things at me.... I just don’t think that surgery turns a man into a woman. A perfectly permissable view. I mean, an un-man is not necessarily a woman. We don’t really know what women are and I think that a lot of women are female impersonators, because our notion of who we are is not authentic, and so I am not surprised men are better at impersonating women than women are. Not a surprise, but it’s not something I welcome."

I'm especially interested in the propositions: 1. "We don’t really know what women are," and 2. "a lot of women are female impersonators." And, by the way, once you have this level of skepticism, the opinion about transgender people becomes almost meaningless. Greer doesn't seem ready to concede even that women are women.

AND: Elsewhere in The Guardian today, there's "From Twiggy to Germaine Greer: eight classic images of powerful women/The Design Museum’s new exhibition, Women Fashion Power, about the way influential women wear clothes opens on Wednesday. Here, from Twiggy in a trouser suit to the high-shine shoulderpads of Dynasty, eight women write about the most eye-catching looks in the show." The photo of Greer shows her at the age of about 36. The text is fully celebratory:
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"Svetlana Alexievich, who was awarded the Nobel Prize for Literature October 8, is a banned author in her homeland of Belarus..."

"Her books are neither published nor discussed in the media there...."

In 1995, Alexander Lukashenko, the president of Belarus, told Russian NTV television : “The history of Germany is a copy of the history of Belarus. Germany was raised from the ruins thanks to firm authority, and not everything connected with that well-known figure, Adolf Hitler, was bad. German order evolved over the centuries and under Hitler it attained its peak.”...

This is the nemesis of the new Nobel Prize-winner in Literature....

"The decidedly not-safe-for-work image, which cannot be reproduced here, can be easily found through a search engine."

Sentence in a NYT article about the sale at auction of a Robert Mapplethorpe photograph for $478,000. The photo, "Man in Polyester Suit," was part of an exhibition for which Mapplethorpe was criminally prosecuted in 1990.